totalfilm:

Django Unchained Footage Revealed: Cannes Reaction

Cannes was treated to a sneak peak of Quentin Tarantino’s tale of an escaped slave seeking both revenge and his stolen wife tonight, and judging by the clips we saw, Django Unchained is going to be… well, off the chain…

supersonicelectronic:

Rezatron’s work for the Quentin vs. Coens show presented by Spoke Art is now available as a print! Get it here! Act fast, as there are limited quantities!

(via spokeart)

Tarantino talking with Steve Buscemi on the set of Reservoir Dogs.

(Source: aintitcool.com)

supersonicelectronic:

Jason Levesque for Quentin vs. Coens.

have on my wall

“Hi Sally’s”, Inglourious Basterds

marauderpadfoot:oldfilmsflicker: RIP Sally Menke (December 17, 1953 – September 27, 2010

Film editor Sally Menke was as integral to the construction of a Quentin Tarantino film as Quentin himself. When principal photography wrapped, Tarantino would huddle in a little house with Menke and go to work splicing together the film he’d had in his head since the day he first put pen to paper. This is the way it has been since RESERVOIR DOGS. And this, sadly, is the way it will never be again.

Menke was found dead early Tuesday morning at the bottom of a ravine near Glen Oak Drive in Hollywood, California. She had gone missing Monday, which immediately raises the suspicion that she was overcome by yesterday’s sweltering heat (it was the hottest day on record in Los Angeles). Whatever the cause, the loss is incalculable to her family and friends; Menke was only fifty-six-years-old, and a long, long way from closing out her brilliant career.

I encourage everyone to go to their movie shelf today, pull out their favorite Tarantino movie, and celebrate one of the most ecstatic collaborations between a director and editor in film history. You may be compelled to study the editing more than you normally would, but that’s not necessary. Just give yourself over to the rhythm of the film as you always do. Get lost in it. And when, after two or three hours, the end credits start to scroll, say “Thank you, Sally.”

(via saintwatson)

fuckyeahdirectors:

(via tayshathefilmgeek)

thedailywhat:

From The Archives: The Daily Show’s Jon Stewart — then of MTV’s The Jon Stewart Show — interviews an excited up-and-coming auteur named Quentin Tarantino about his new movie, Pulp Fiction.

c. 1994.

[reddit.]

Tarantino and his car on the set of Reservoir Dogs.

(Source: aintitcool.com)

inslumber:snesselfous:nazi-julieandrews Quentin Tarantino’s next movie: Django Unchained

Django is a freed slave, who, under the tutelage of a German bounty hunter (played by Christopher Waltz the evil Nazi officer in Inglorious Basterds) becomes a bad-ass bounty hunter himself, and after assisting Waltz in taking down some bad guys for profit, is helped by Waltz in tracking down his slave wife and liberating her from an evil plantation owner. (Source)

(Source: lordofwinterfells)

iwdrm:

“This ain’t none of your business. … I’m makin’ it my business.”

Pulp Fiction (1994)

Its a sad day. The editing and writing are a big part of Quentin’s films. Hopefully she influenced him, and others, enough so that this isn’t a dying of an age of film-making, although it kinda is already. Movies just aint what they used to be.

Love Letter from the Death Proof DVD to Sally.

twrobot:

By Estevan Oriol.

on my wall